Skip to main content

Antiques in your Decor, Keep it Looking Fresh

When you collect antiques, regardless of the style, it is important to keep your space from looking like a museum. The easiest way to do this is by mixing pieces from a couple different time periods and throwing in a contemporary piece or two. Shape, texture, scale and light are the keys to making it work.
There is little that is contemporary in the above photo except a quartz crystal candle holder and the bamboo mat, yet I find the photo, (taken spur of the moment last month,) fresh, and not at all dowdy.  The chair on the left, is from the early 1820s and the canape' the dog is lying on..from the 1700s. It is easy for furniture this age to look tired and as a result the beauty of the craftsmanship often becomes lost. Furniture of this sort is in my opinion, art, but it was never created to be in a museum, it was meant to be lived with. Surrounding oneself with beauty is an important part of life.
So, to keep my tiny space from looking like a museum, I added a small mid century Moroccan table with a brass base that echoes the shape of the Louis XVI legs on the furniture, the texture of the base also echoes the carving on the furniture while the marble top gives more texture and a depth of light due to it's luminous quality. In addition, the marble top is round, which harmonizes with the curves of the furniture. Marble was often used with Louis XVI furniture originally and I consider marble to be a timeless element.
On top of the table, the  mid century cherub candelabra whose gilding time has worn away in various places, reveals the same brass as the table base and the crystals bring refracted light. The quartz crystal candle holder and the cut glass vase also refract the light and add texture. Lastly, and equally important...contemporary books with fresh flowers always bring things into the moment.
Nearby, a 21st century Philippe Stark accent chair, made in Italy by Kartel and inspired by Louis XVI originals sits against a wall, draped in a stunning vintage kidskin dyed ruby red. It holds contemporary books and a 19th century dog pattern pillow.
 The antique tribal persian rug underneath repeats the colors, and the coarse wool adds contrast to the satiny hide and glossy chair.
This may all sound too academic but the concept is simple, just think.. shape, texture, scale and light. And remember when adding contrasting shapes and textures to think, 'same but different'. You want some sort of unifying element, be it color, shape, pattern, or texture.
Modern art is also an easy way to keep your antiques from looking 'old'. The rule works whether you have a pale color palette or a multi hued one.This photo from designer Karina Gentinetta is a perfect example.
 In addition to her painting, the texture is repeated in the coral, the roccoco frame and sisal rug. She is using a luminous marble topped table and silver as her metal .The window is not burdened with a heavy window treatment and light is reflected from the crystals on the wall sconce. All of this keeps the look from being dated.
Are you seeing how easy it is to keep your antiques and vintage furniture from looking like something from grandma's house?
Putting a little thought into the mix can really bring out the beauty of your antiques as they are seen in a whole new context.


Popular posts from this blog

Antique Wardian Cases

When I moved into my present city apartment, a mere 680 square feet,  Things had to serve a purpose. No longer could this antique wardian case hold trinkets for display, it had to be functional. So I gave up a rather large chunk of my micro kitchen to grow fresh herbs. I figure it is a fair trade off. I have a full spectrum vita light shining on the plants and they seem to do quite well in there. I adore wardian cases, terrariums and the like. They were a fixture in the Palace of Versailles like the one above, and later the Victorians made great use of them when it was discovered that they could successfully transport rare species of plants home from  around the globe. I thought I would share some pinned photos of various styles.. Imitation cases are usually zinc and plexiglass ,like this one I spotted at a local market. You can tell the age of a real one by the thickness and color of the glass.The glass will most often be 1/4 inch to a 1/2 inch. They are always quite

Southern Bacon and Crawfish Cornbread Dressing

Imagine you are dining outside at Blake Shelton's house this Thanksgiving and deep frying some big turkeys. A crawfish dressing would probably be on the menu. Deep fried turkeys and outdoor dining on Thanksgiving day is very popular in the South. And while people don't wild catch crawfish like they did a century ago, crawfish are always popular on the menu. Here I have  paired it with bacon, corn, mirepoix,and jalapenos to give you a dressing with real local flavor. Here is what you need: 5 cups crumbled cornbread 1 1/2 lbs  boiled crawfish tails ( frozen is fine) 10 ounces bacon, cooked and coarsely crumbled 12 ounces yellow corn 1 1/2 cups chopped yellow onion 1/1/2 cups chopped celery 1/1/2 cups green red and orange bell pepper 1 jalapeno ( optional) 2 eggs beaten 2 cups chicken stock salt, thyme, and sage to taste. Fry your bacon until it is ready to crumble, remove from pan and set aside. Saute the mirepoix, (onions ,peppers and celery) corn and jalap

How to Restore Old Brass Without Losing Patina

Brass is really trendy right now. Much of the home decor brass commercially available is cheaply made and will not retain it's beauty long. But brass made in the first quarter of the 20th century and earlier, develops an exquisite patina. Assuming of course that it has had reasonable care throughout it's long life. Sometimes, a good piece of brass will have just a tiny bit of verdigris, that is the crusty blue green stuff caused by oxidation and tells you corrosion is setting in. I see this a lot on furniture with brass mounts, lamps, chandeliers and light fixtures. Most brass tutorials give directions only on bringing brass back to it's super bright finish. Many antique dealers restore brass to it's bright finish, removing the patina and then apply a commercial solution to darken it again. I can always spot those. They never look quite right. There are some pieces that devalue when you remove the patina.  Natural patina enhances the beauty of a piece, like this cl